Taman Sari (Water Castle)

Taman Sari Yogyakarta or Yogyakarta Palace is a site of the former park or garden palace (royal garden) Sultan Palace. This can be compared with the Bogor Botanical Gardens Bogor Palace gardens. This garden was built during the time of lane I (HB I) in the years 1758-1765/9. Initially, the park gets the title of “The Fragrant Garden” has an area of more than 10 acres with about 57 buildings in the form of buildings, swimming baths, a suspension bridge, canal water, and artificial lakes and artificial islands and underwater tunnel. Gardens are used effectively between 1765-1812 is the first complex stretches from southwest to southeast Kedhaton Magangan complex. But today, the remnants of the Taman Sari, which can be seen only in complex southwest Kedhaton only.That said, Taman Sari was built in the former palace of old, Garjitawati Guesthouse, which was founded by Susuhunan Pakubowono II as a resting place that will train a horse go to Imogiri. As a leadership development projects instituted Tumenggung Mangundipuro Taman Sari. All development costs incurred by the Regent Madison, Tumenggung Prawirosentiko, besrta entire people. Therefore exempt from Madiun district tax levies. In the midst of the leadership development project was taken over by Prince Notokusumo, after Mangundipuro resign. Although officially a royal garden, but the existing building and keeping indicates Taman Sari serves as the last bastion if the palace was attacked by the enemy. It is said that one of the architects of this garden is a Portuguese empire better known as the Demat Tegis.
Complex Taman Sari at least can be divided into 4 parts. The first part is an artificial lake which lies to the west. The next section is a new building in the south of the artificial lakes such as bathing Bannerman Binangun. The third part is Pasarean Ledok Sari and Swimming Garjitawati located in the southern part of the second. The last part is the eastern part of the first and second and extends eastward to southeast Magangan complex.
The first part
The first part is the main part of Taman Sari in his time. In his day, this place was the most exotic. This section consists of an artificial lake called “Segaran” (literally = artificial sea) as well as buildings in the middle, and buildings and parks and gardens which surround the artificial lake. In addition to maintaining various types of fish, artificial lake Segaran also functioned as a place to canoe the Sultan and the royal family. Now this is no longer an artificial lake filled with water but has become known for its dense residential village park. The buildings were left in very poor condition.

In the midst of Segaran there is an artificial island, “Pulo Kenongo”, who planted trees Boxwood (Kananga odorantum, family Magnoliaceae). On top of these artificial islands set up a two-story building, “Gedhong Kenongo”. The biggest building in the first part is quite high. From the bridge of highs people can observe the Palace of Yogyakarta and surrounding areas to the outside of the fort baluwarti. It is said Gedhong Kenongo consists of several rooms with different functions. From a distance the building is like floating on the water. Therefore not surprising that later Taman Sari dubbed with the name “Water Palace” (Water Castle). At present (January 2008) this building ruins lives alone.
To the south of Pulo Kenongo deratan small building there called “Tajug”. This building is a tower of air ventilation for the tunnel under the water. This tunnel is the entrance to Pulo Kenongo besides using the canoe / boat sailed the artificial lake. Formerly in the western part of the artificial island there is also a tunnel, but his condition is now less manicured than the south tunnel.
To the south of Pulo Kenongo again there is an artificial island called “Pulo Cemethi”. Two-story building is also referred to as “Pulo Panembung”. This is where the Sultan is said to meditate. There is also a call as “Well Gumantung”, because in the south there are wells that hangs above the ground. To get to this place supposedly in is through an underwater tunnel. Currently this building debris rerutuhan also lived alone.
Meanwhile in the west of Pulo Kenongo there are buildings shaped like a circular ring called a “Wells Gumuling”. This two-story building can only be entered through a tunnel under the water. Well Gumuling traditionally said to be used as a mosque. On the second floor was found a niche in the wall which is said to be used as a sanctuary, where the imam leading the prayer. In the middle of the building that is open, there are four levels of ride and meet in the middle. From the fourth meeting these levels there is one more level to the second floor. Under the four-level meeting is that it seems there is a small pond used for ablution.
Part Two
The second section is located south of the artificial lake Segaran most part relatively intact compared to other parts. The part that is maintained while the building of parks and gardens in this section no longer remains. Now this section is the main part of the much visited by tourists.
Arch Gedhong Hageng
“Gedhong Hageng Gate” is the main gate of the garden of the kings of his day. At that time the Taman Sari facing toward the west and extends eastward. Gate is located in the westernmost part of the palace sites remaining water. The east side of the main door can still be seen while its west side is covered by dense settlements. Gates that have some space and is decorated with reliefs of two levels of birds and flowers that show in the completion of Taman Sari in the year 1691 Java (about AD 1765 AD).
Gedhong Lopak-lopak
In the east of the main gate of the ancient castle there octagonal pages. Formerly in the middle of this page stands a two-story tower named “Gedhong Lopak-lopak”, another version called gopok-gopok. Now (January 2008) This building no longer exists. On this page only remaining row of giant flower pot and the doors that connects this place with other places. The door on the east side of the octagonal page is one of the gates to Bannerman Binangun
Pennant Pasiraman
“Bannerman Pasiraman” or there is a call to “Bannerman Binangun” (another version of “Bannerman Winangun”) is a bathing pool for the Sultan, his wives, and their daughters him. The complex is surrounded by high walls. To get to the place is provided by two gates, one on the east side and one on the west side. Inside this gate there is a decreased level. In the complex there are three pieces Bannerman Pasiraman pool is decorated with mushroom-shaped fountain. Around the pool there is a giant flower pot. Besides the pool there are also building on the north side and in the middle of the south.
Building on the far north is a place of rest and change clothes for the daughter and wife (concubine). In the south there is a pond called by the name “Bannerman Muncar”. A similar street pier into the boundary between this pond with a pond in south-called “Blumbang Drain”. In the south there Kuras Blumbang building with a tower in the middle. Building west wing is the place to change clothes and east wing to break the Sultan. The tower in the middle of the Sultan is said to be used to see his wife and his daughter who was in the shower. In the south of the building there is a pond called “Bannerman Binangun”, a bathing pool which is devoted to the Emperor and empress alone. In his day, in addition to the Sultan, only women are allowed to enter into this complex.
Gedhong Sekawan
In the east there is a page pennant pasiraman octagonal. In the yard is decorated with a row of giant flower pot stands four similar buildings. Bnagunan is known as the “Gedhong Gang”. This place used to break the Sultan and his family. On each side of the page there is a door connecting it with other pages.
Gedhong Gapuro Stage
In the east there are pages octagonal building called the “Stage Gate Gedhong.” This building has four levels, two on the west side and two more on the east side. Previously in this building there are four dragon statues, but now only the remaining two pieces only. Gedhong Stage Gate symbolizes the year construction of the Taman Sari, 1684 Java (approximately 1758 AD). Also in this building there is a relief decoration as in Gedhong Hageng Arch. The east side of this building is now the site entrance of Taman Sari.
Gedhong Temanten
In the southeast and northeast gate Gapuro Stage building there called “Gedhong Temanten”. This building was used as a security guard on duty and rest area. According to a reconstruction Taman Sari in the south of this building there is a building that is now no longer have the scars while on the north side there is the garden which also has turned into settlements.
Part Three
This section is not a lot of scars that can be seen. Therefore the description in this section largely come from existing reconstruction. This first part covers the Complex “Pasarean Ledok Dalem Sari” and Complex pool “Garjitawati” and several other buildings and parks / gardens. Pasarean Ledok Dalem Sari is the remainder of this section that remained intact. Pasarean Ledok Dalem Sari was the place where the Sultan together Pemaisurinya contest. Another version says as a place of meditation. The building is shaped like a U. In the hands of the Sultan of the building there is a bed which flows beneath the water flow. A kitchen, living tailor, goods storage space, and two pools for the waiters as well as the garden of spices, fruits, and vegetables is estimated to be part of this. On the western side there was a pool complex Garjitawati. If that were true then this complex is the remainder of pesanggrahan Garjitawati and most likely also a Umbul Pacethokan ever used by Panembahan Senopati.
Part Four
This last part is a part of Taman Sari, which practically does not remain longer than the former suspension bridge and the rest of the pier. Description in this section is almost entirely a sketch of a reconstruction of the attack the British troops to Sultan of Yogyakarta in 1812. This section consists of an artificial lake and building in the center, the park around an artificial lake, a large canal which connects it with an artificial lake artificial lake in the first part, and a garden. Artificial lake complex situated in the southeast to northeast Magangan Siti Hinggil Kidul. In the center there is an artificial island that supposedly called “Pulo Kinupeng”. On top of the island stands a building that is supposedly called “Gedhong Ivory”. This high-rise buildings called tower city (Cittadel Tower).
There is a large canal on the northwest side of the artificial lake and stretching to the west and ending at the southeast side of the artificial lake in the first part. In this channel there are two alleged narrowing as the location of a suspension bridge. One of these bridges are on the road that connects the complex Magangan with Kamandhungan Kidul. Traces of this bridge can still be seen, although the bridge itself has disappeared. In the west there is a suspension bridge pier sebuag. Pier was reputedly used as a starting point Sultan trip into Taman Sari. It is said the Sultan entered the castle with a canoe. To the south of Canal there is the garden. This garden is located on the west side of South Kamandhungan complex and Siti Hinggil Kidul. Now all the places it has become settlements. The garden has turned into a village Ngadisuryan whereas artificial lake turned into a village Segaran.

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Yogyakarta Sultanate

Yogyakarta Sultante is a Javanese monarchy in the Special of province of Yogyakarta,Indonesia.After  the conflict, the Mataram Sultanate was split in two based on the treaty of Giayanti of February 13, 1755: Yogyakarta Sultanate and Surakarta Sultanate.The Giyanti Treaty mentioned Prince Mangkubumi as Sultan of Yogyakarta, with the title of Sampeyan Dalem Ingkang Sinuwun Kanjeng Sultan Hamengkubuwono Senopati Ingalaga Abdul Rakhman Sayidin Khalifatullah Panatagama (His Majesty, The Sultan-Carrier of the Universe, Chief Warrior, Servant of the Most Gracious, Cleric and Caliph that Safeguards the Religion).The Dutch Colonial Government arranged for the carrying out autonomous self government, arranged under a political contract. When the Indonesian independence was proclaimed, the rulers, the Sultan of Yogyakarta and Prince of Pakualaman made a declaration they would become part of the Republic of Indonesia. Those two regions were unified to form the Yogyakarta special region and the sultan became the Gouvernor of Yogyakarta and the Prince of Pakualaman as the vice-governor; both were responsible to the President of Indonesia. The Special Region of Yogyakarta was created after the independence war ended and legalized on August 3, 1950.

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Dieng Plateau

Brief Description

The ancient Javanese Hindus built up temples and made Dieng Plateau as a sacred place. The word Dieng word was formed from Sanskrit words Di (Abode) and Hyang (Gods), so Dieng means Abode of the Gods. The Javanese Hindus built hundreds of temples in this place, but only eight are left. The temples were built from 8th century to 13th century by Sanjaya Dynasty and resemble those of Prambanan, but on a smaller scale. The local people named the temples based on the characters in the ancient Javanese Hindu legend which has similarity to famous Hindu story Mahabharata and Ramayana. The Dieng Plateau is a caldera complex formed by the eruption of ancient Mountain Prau. The caldera was once filled up water and then dried up, but volcanic activity continues to this day, with sulphuric fumes and poisonous lakes. Located at an altitude of 2000m, it's also much cooler than the surrounding lowlands.

Long Description

Regions Dieng plateau temple complex is one of the historical attractions are quite famous in Wonosobo regency, Central Java. This plateau is a former volcanic eruptions that formed three craters as well, which Sikidang Crater, Crater Sileri, and Crater Candradimuka. In this highland complex of temples is located.Collection of some temple building was built in the 8th century until the 13th century AD, and is a legacy that Sanjaya Hindu dynasty Shiva. This is proven by the number of relics such as statues of Lord Shiva, Vishnu, Agastya, Ganesha, and others. The temple was built during the 5 centuries, then by the local people are categorized into several groups of temples with names puppet prototype. The names of the group are its temple Arjuna temple, Temple Dwarawati, Candi Gatot Kaca, and Candi Bima. Some of these temples there are also groups that have the small temple with a name that is different also. Day trips to historical sights temples of Dieng complex, at least two things that will be acquired by travelers. First, see the natural beauty of Dieng mountains and breathe the cool fresh air. In these attractions because the air is cool enough to be at an altitude of 6,000 feet or 2093 meters above sea level (asl), so that tourists need not worry about the sun in these tourist sites. No need to also bring a hat, umbrella or other various types of head coverings. Sweat streaming would not be much longer even walk under the blazing sun. Privileges of nature that is the main attraction of this area attractions. Especially when the travelers arrived at the scene in the morning, the first natural scenery that makes travelers were amazed when the sun was rising from the east which is often called the “Golden Sunrise”. Sunlight is emerging from the sidelines of the hills and the light appeared like a glint of gold.
After quite satisfied with this natural scenery, travelers to the beauty of architectural styles along the temples in Dieng mountains. First sight to be seen when the tourists set foot in the mountains Dwarawati Candi Dieng is a group which has one part of the temple named Candi Parikesit. Group of temples located on the Mount The boat is a length of 5 meters, 4 meters wide and 6 meters tall. In each of the outer wall and in the recesses of the temple there is a statue. While on the roof there are small towers are decorated with paintings Simbar Simbar-head. Roof forms and decorations are the influence of the architectural style of South India.
Furthermore, tourists can go on down the group of temple Arjuna. Temple group is divided into two rows of buildings of the temple, there is a row of east-Heroine Arjuna temple, Puntadewa, and Sembadra. While the row of temples on the west there is Candi Semar and Arjuna temple itself. The group is building the temple square and decorated with niches and kala-makara decoration on the walls. Decoration of this temple are most numerous at its peak. Not far from the location of this group of temple Arjuna, tourists also can see some of the former temple, the temple Setyaki, Petruk, Antareja, Nala Gareng, Nakul, and Sadewa. Unfortunately, all the temple was only a foundation and some debris, so that tourists can not see the style of architecture.
Candi Arjuna has a privilege because there is always a stone basin filled with dew water droplets originating from the roof of the temple. Uniquely, the collection of dew water can not be dry even if exposed to hot sun. Unable to dry, then by society and given the name of sacred water of life “Parwito Sari” and believed to contain a blessing for many who use it.
Quite satisfied with enjoying the beauty of the architecture group of temple Arjuna, tourists can go on for a look around the temple architecture of Gatot Kaca measuring 4.5 x 4.5 meters and a square. To get to the location of this temple, visitors must climb the hill Panggonan high enough. However, do not worry about the fatigue that will arise due to go up into these hills, because fatigue would be relieved after seeing the beautiful Lake Kambang Bale is located east of the Temple.
Another temple that is not less interesting and is located at the southernmost position is Candi Bima. To reach this temple travelers would travel as far as 1 km from Candi Gatot Kaca. The temple has a height of about 8 meters, built on the foundation of the square measuring 6 x 6 meters. This temple also has a decoration on the top, as in the group of temple Arjuna. Temple Sikhara shaped (bowl which were held together), is the influence of North Indian style of architecture. While the influence of South Indian architectural styles, there are the trappings of the tower and the recesses of the horseshoe-shaped.
Other privileges, the existence of the Dieng temple is located in the mountains (land), Dieng is considered sacred, because it is a place bersemayamnya Dieng spirits of the gods and goddesses. This is evident from the origin of the word Dieng (Java language) that is the word dhi and hyang. Dhi means mountain, while hyang hyang taken from the word, which means the gods and goddesses. From the origin of the word that was later interpreted as the Dieng mountain where the gods and goddesses who later by the local community is considered sacred ground.
Aside from being a historical attractions, Candi Dieng interesting to visit because it is surrounded by several mountain chains, namely Cleft, Sindoro, Boat, Rogojembangan, and Ben. Various mountain chains are also adding the beautiful natural scenery in this area attractions. From this place, tourists can also see the atmosphere of the City Banjarnegara and Wonosobo city from a height.
If the tourists still want to continue the adventure tourism in the Dieng plateau, there are other attractions are no less interesting, namely Sikidang Crater, Lake Colors, Semar Cave, Tuk Bimalukar, and others.
Temples Complex is located in Mountain Dieng Dieng, Wonosobo regency, Central Java Province, Indonesia. To get to the location of attractions Dieng Temples Complex, travelers can start the journey from the Terminal Wonosobo. From this terminal, take the bus majoring in Wonosobo-Dieng, at a rate of about Rp 7,000 per person to get to the location. The drive from Wonosobo to the Dieng mountain takes approximately 1 hour drive.
The facilities available at these attractions is the prayer room, a place to relax, tourist information centers, and others. There are also food stalls, fruit, toys, and assorted souvenirs. Unfortunately, in the areas surrounding these attractions, there are no hotel facilities. However, if tourists want to spend the night, there were lodging-inn run by people with bathroom facilities and shower in warm water.

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Borobudur Temple's

BRIEF DESCRIPTION
Borobudur, or Barabudur, is a 8th-century near Magelang, Central Java, Indonesia. The monument comprises six square platforms topped by three circular platforms, and is decorated with 2,672 reliefs panels and 504 Budha statues. A main dome, located at the center of the top platform, is surrounded by 72 Buddha statues seated inside perforated stupa Approximately 42 kilometres  northwest of Yogyakarta , Borobudur is located in an elevated area between two twin volcanoes, Sundoro-Sumbing and Merapi-Merbabu and two rivers, the Progo and the Elo. According to local myth, the area known as Kedu Plans is a Javanese sacred place and has been dubbed 'the garden of Java' due to its high agriculture fertility.  Besides Borobudur, there are other buddhiste temples in the area,  during the restoration in the early 20th century, it was discovered that three Buddhist temples in the region, Borobudur, Pawon and Mendut, are positioned along a straight line.  It might be accidental, but the temples alignment is in conjunction with a native folk tale that a long time ago, there was a brick-paved road from Borobudur to Mendut with walls on both sides. The three temples (Borobudur–Pawon–Mendut) have similar architecture and ornamentation derived from the same time period, which suggests that ritual relationship between the three temples, in order to have formed a sacred unity, must have existed, although exact ritual process is yet unknown.

Long Description

Borobudur is one of the greatest Buddhist monuments in the world. Founded by a king of the Saliendra dynasty, it was built to honour the glory of both the Buddha and its founder, a true king Bodhisattva. The name Borobudur is believed to have been derived from the Sanskrit words vihara Buddha uhr, meaning the Buddhist monastery on the hill. Borobudur temple is located in Muntilan, Magelang, and is about 42 km from Yogyakarta city.

This colossal temple was built between AD 750 and 842: 300 years before Cambodia's Angkor Wat, 400 years before work had begun on the great European cathedrals. Little is known about its early history except that a huge army of workers worked in the tropical heat to shift and carve the 60,000 m³ of stone. At the beginning of the 11th century AD, because of the political situation in Central Java, divine monuments in that area, including the Borobudur Temple became completely neglected and given over to decay. The Sanctuary was exposed to volcanic eruption and other ravages of nature. The temple was not rediscovered until the 19th century. A first restoration campaign, supervised by Theodor van Erp, was undertaken shortly after the turn of the century. A second one was led more recently (1973-82).

A harmonious marriage of stupas, temple-mountain and the ritual diagram, this temple complex was built on several levels around a hill which forms a natural centre. The first level above the base comprises five square terraces, graduated in size and forming the base of a pyramid. Above this level are three concentric circular platforms crowned by the main stupa. Stairways provide access to this monumental stupa. The base and the balustrades enclosing the square terraces are decorated in reliefs sculpted in the stone. They illustrate the different phases of the soul's progression towards redemption and episodes from the life of Buddha. The circular terraces are decorated with no fewer than 72 openwork stupas each containing a statue of Buddha.

Stylistically the art of Borobudur is a tributary of Indian influences (Gupta and post-Gupta styles). The walls of Borobudur are sculptured in bas-reliefs, extending over a total length of 6 km. It has been hailed as the largest and most complete ensemble of Buddhist reliefs in the world, unsurpassed in artistic merit, each scene an individual masterpiece. The narratives reliefs on the main walls read from the right to left, those on the balustrade from left to right. This was done for the purpose of the Pradaksina, the ritual circumambulation which the pilgrims make moving on the clockwise and keeping the sanctuary to the right.

The Karmawibangga reliefs on the hidden foot are devoted to the law of karma. The Lalitavistara series do not provide a complete biography of the Buddha, from the Hushita heaven and end his sermon in the Deer Park near the Benares. Jataka are stories about the Buddha before he was born as Prince Sidharta. Awadana are similar to Jataka, but the main figure is not the Boddhisatva, and the saintly deeds are attributed to other legendary persons.

The stories are compiled in the Dvijavadana (Glorious Heavenly Acts) and the Awadana Sataka (Hundred Awadanas). The first twenty panels in the lower series of the first gallery depict, the Sudhanakumaravadana. The series of reliefs covering the wall of the second gallery is devoted to Sudhana's tireless wanderings in search of the Highest Perfect Wisdom. The story is continued on the wall and balustrade of the third and fourth galleries. Its depiction in most of the 460 panels is based on the holy Nahayana text Gandavyuha, the concluding scenes being derived from another text, the Badracari.

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Kotagede

Tombs Of The Kings Of Mataram, Kota Gede

Kotagede is an area located about 10 km south of Yogyakarta. Formerly, the area is a center of government Kotagede Islamic Mataram Kingdom in the mid-sixteenth century AD In this area there are complex tombs of the kings of Mataram, which became the dimakamkannya Panembahan Senapati, the first king of Mataram Islam.

This tomb complex, located about 50 m south of Pasar Gede, Kecamatan Kotagede. In addition there is the tomb of Panembahan Senapati, in this cemetery there are also other royal family tomb. Among these are, Ki Ageng archery was the father of Panembahan Senapati, Nyai Ageng Nis and P. Prono Djoyo which is the grandparent of Panembahan Senapati, lane II, and also Prince Duke Pakualam I.

To enter the tomb of the kings of this complex, visitors will pass through four gates first. The first gate is padaruksa shaped building, which is a gateway building that has a roof cover, which connects both sides of the barrier construction. Among the first gate to the second gate, visitors will see Ward Duda. Ward, the umbrella by a large and shady banyan tree, which is often called Waringin Sepuh. That said, this elderly Waringin Kanjeng planted by Sunan Kalijaga, at the time before Kotagede built. Leaves of this tree, by the local people believed to have the prestige of its own. Two pieces of leaf that falls in the open and closed condition, believed to be a safety stock in transit.

Past the second gate, there is a wall about two feet high, with roads on both sides. This wall blocking the view visitors from the third gate. Passing through the third gate, visitors can see the Great Mosque compound, where there are homes around the servants. The Great Mosque was built by Sultan Agung, the grandson of Panembahan Senapati. West of this mosque, there are about 720 Islamic Mataram royal family tomb.

One of the uniqueness in this cemetery, is the existence of the tomb which is only half a body to bury it. The tomb belonged to Kyai Wonoboyo Mangir, which is the law as well as the enemy of Panembahan Senopati. Since it is considered as rebels, were killed by Kyai Wonoboyo Mangir Panembahan Senapati. Head Kyai Wonoboyo Mangir dibenturkan to the throne of Panembahan Senapati, by Panembahan own. Kyai body Wonoboyo Mangir buried in two separate places. Most were in the fort cemetery, others outside it. It’s a symbol that Kyai Wonobayo Mangir is the enemy at once-in-law of Panembahan Senapati.

Many visitors, who make pilgrimages to this tomb to ask safety. After pleading safety, most of the visitors continued to soak in the spring that was in the tomb area. This Spring, divided into two, namely Spring Kakung for the men, and the Spring Princess for the women. Visitors who soak in this spring believe that by bathing in it, a disease that affects the middle can be cured. In addition, many also believe that if water from the second spring can bring prosperity.

Tomb Kings Kotagede, located in District Kotagede, the city of Yogyakarta, Yogyakarta Province, Indonesia. This tomb was opened only twice a week, on Monday at 10:00 to 12:00 pm and Friday at 13:30 to 16:00 pm.

To get to the tombs of the kings Kotagede, you can use the bus Trans Jogja, route 3A and 3B, for Rp 3.000, 00 per persons. You can get off at stop Tegalgendu or stop of HS Silver. From both stops, the trip can proceed using the tricycles to the cemetery, and pay about Rp 15,000, 00 (2009).

To enter the cemetery of the kings in this Kotagede, visitors are not charged any fees. However, visitors can contribute seiklasnya the cemetery caretaker, who usually accompany the visitors.

For the pilgrimage to this tomb, visitors must use the special dress that consists of beskap for men, while for women in the form of a tank top and a long cloth. If a visitor does not have this traditional clothing, not to worry. Because, the guardians of this tomb complex, providing clothes that can be rented visitors with price Rp 10.000,00 per person (2009).

In addition, in this region there are wards that, can be used by visitors as a place to rest. The Great Mosque is also located in this region, so that visitors do not have to worry if the prayer time has come. Not far from this cemetery, there Pasar Gede, many of which sell food or beverages. So, if you feel hungry and thirsty after a pilgrimage, visitors can immediately go Pasar Gede.

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